About the book
Lola Galley is used to doing things she doesn't want. She certainly doesn't want to be assigned the case of Richard Ellaway, the man who, under a cold full moon, mutilated a good friend of hers. But being a bareback, what she wants and what she gets are seldom the same.
For those born feet-first, life is comfortable, and one night a month they lock themselves in a secure room to fur up in peace. Barebacks, trapped in their human skin and drafted at eighteen into the Department for the Ongoing Regulation of Lycanthropic Activity, don't have it so easy. A full moon means patrolling the silent night in search of transformed citizens breaking the curfew. The rest of the month, DORLA agents mop up the after-effects of the trespasses, the fights and the maulings.
Resignedly, she takes the case - but before Ellaway can be tried, her maimed friend is murdered. Lola wants justice. She'll settle for the truth. But in a divided world, asking for the truth may bring answers that you don't want to hear.
Journal & Events
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An Interview with David Fennell
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Goldsboro BooksAn Interview with David Fennell
We had David Fennell in to sign our copies of A Violent Heart! Full of suspense, the return of DI Archer will have you gripped until the very last page....
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An Interview with Laura Shepperson
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Special Editions & Sprayed Edges: A Modern Revival
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David HeadleySpecial Editions & Sprayed Edges: A Modern Revival
A sprayed edge is often thought of as the cherry on the cake of a new special edition book. Whilst the content within the book itself is of course what’s...
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An Interview with Rachel Blackmore, author of C...
Goldsboro BooksWe recently had the lovely Rachel Blackmore in to sign her special edition copies of Costanza. We absolutely loved this novel as you are transported to Rome in the 1600s. We...
Goldsboro BooksAn Interview with Rachel Blackmore, author of C...
We recently had the lovely Rachel Blackmore in to sign her special edition copies of Costanza. We absolutely loved this novel as you are transported to Rome in the 1600s. We...
